
Category: Upcoming Events
Event coming soon
Jan Hodge 2-7 Oct 2025 | Opening 3 Oct 5-7pm
A SOLO EXHIBITION BY: Rob Sledge 23-29 September 2025
Black and White Committee 29th – 30th Aug
FUNDRAISING ART EXHIBITION
FRIDAY 29 – SATURDAY 30 AUGUST at STUDIO W
Opening Cocktail Party FRIDAY 29TH AUGUST 6 – 8.30PM
| The exhibition includes 40 artists, including: JANE DAWSON, KEN DONE, NAFISA NAOMI, LOUISE OLSEN & DIANA WATSON |
| Plus artworks from Children of Vision Australia. |

$60 includes wine and canapes. Your chance to win 1st Prize, a Bowerhaus necklace and earrings in the Raffle draw.
FACES and FIGURES by Veronika Kristensen 1st-11th May 2025
Life Drawing Session 2024 – 18th Nov, 25th Nov, 2nd Dec, 9th Dec
National Art School
Drawing Studio, Building 16 North
5:30pm- 8:30pm 3 hours session
$30 pay at door by EFTPOS
Anna Warren and Sue Rawlinson 9th May – 14th May
Jerry Doherty | Clara Donlatu | Shelley O’Keefe | Philip Senior 9th – 17th March 2024
New Exhibition : Alan Rose & Ralph Stanton

2 -18 AUGUST Wednesday – Sunday 10 – 5 pm

RALPH STANTON
This exhibition is a continuation of my last show There’s a Crack in Everything (after Leonard Cohen). With this work, there is no obvious crack or rupture in the surface or the picture plane. There are layers of light, glowing through an opaque landscape. The paintings reflect an underlying feeling I have that the light we seek is ephemeral. It appears from behind, from the sides, from above, from below, indirect, yet luminous.
Light is integrated and inherent, rather than something that might be more directly stated. Illumination not via a lightning strike, but rather a glow.
I’m interested in the patterns of light as they play out on the texture of the paint’s surface. The painting becomes like a piece of jewellery, an artefact in itself without the need for illustration or to tell a story.

ALAN ROSE
Alan Rose graduated from NAS (National Art School) in 2009.
His art practice has always involved precise three-dimensional geometric repetitions, employing blocks, tiles, grids or lenticular structures to create his multi faceted sculptures
This art picks up the threads of the conceptual art, op-art and kinetic art of the 1960’s, which was less about the immediate expressionism of the artist and more about the mental state of the viewer.
The works are intended to sit on the boundary between order and chaos. The viewer is encouraged to see repeating patterns where there is only disorder, or to see disorder where upon closer examination it is discovered that patterns exist. It is in this moment of contemplation that the artwork becomes successful.






